Review : Natsamraat Marathi Movie

Movie : "Natsamrat - Asa Nat Hone Nahi" (2016)
Genre : Drama
Cast : Nana Patekar, Vikaram Gokhale, Medha Manjarekar, Mrunmayee Deshpande and Sunil Barve
Directed by : Mahesh Manjarekar
Produced by : Nana Patekar, Vishwas Joshi.
Music by : Ajit Parab
Music On : Video Palace
In Cinemas : 1st January 2016

A few movies are intended to make an imprint in the historical backdrop of silver screen and Mahesh Manjrekar's "Natasamraat" is one such film. Taking into account the celebrated play by V.V. Shirwadkar, this motion picture has viably figured out how to depict the life of a maturing performer battling with his life after the acclaim. Much the same as Subodh Bhave's 'Katyar Kaljat Ghusli', this film has the ideal harmony between the story and the screenplay.

Appa Belwalkar (Nana Patekar), an on-screen character second to none, resigns from the spotlight in the wake of having performed in front of an audience for a long time. Regardless of gaining acclaim and name in the realm of theater, Appasaheb is abuseed by his girl in-law (Neha Pendse) who blames him for instructing incorrectly things to her little girl. Appasaheb and his wife Kaveri (Medha Manjrekar) go out and are offered cover by their girl (Mrunmayee Deshpande) who is as of now wedded. Appasaheb's child in-law (Sunil Barve) treats them with part of appreciation. Then again, the peace is fleeting as Appsaheb's little girl blames him for taking cash. Sorrowful, Appasaheb and his wife go out around evening time amid an overwhelming deluge.

In the play, the character of Appa had an intense execution and got the chance to demonstrate his acting capacities because of a monolog amid the demonstration. The motion picture does not demonstrate this some portion of Appasaheb, yet his part as the head of family who is avoided by his own family will move the crowd. Mahesh Manjrekar has done full equity to the motion picture and the characters of the film. Not one minute goes which does not touch the heart and feelings of the group of onlookers, particularly the later half.

As is normal, Nana Patekar gives an execution which brings for the torment and anxiety of Appasaheb's character to the fore. This is one of his best exhibitions of his vocation. Medha Manjrekar has given a just as solid execution which adds to more substance to the film. She unquestionably merits all the more such parts. Mrunmayee Deshpande has given an incredible execution and has demonstrated that she is a standout amongst the most skilled youthful performing artists of today. Neha Pendse, Ajit Parab, Sunil Barve, Jaywant Wadkar have offered equity to their particular parts. Vikram Gokhale has given another commendable execution of his vocation. Aside from eminent exhibitions, it is additionally an in fact very much displayed film. This is a very should watch film, which should not be missed at any expense.