Review : Mohar Marathi Movie

Name of the film: Mohar

Date of discharge: first January 2016

Makers: Chandrakant Pawar and Sangeeta Saatdive

Executive: Vijay Patkar

Artistes : Prasad Oak, Aditi Saragdhar, Sayaji Shinde, Hemlata Bane, Vijay Kadam, Prajakta Jagtap, Chaitanya Ghadge, Manasi Naik.

Music: Milind More

DOP: Raja Phadtare

Nivrutti (Prasad Oak) who has abandoned his wife Tainu (Aditi Saragdhar) and two kids in the town to work in a production line in Mumbai, is in a bad position as the specialists go on uncertain strike to press their requests. As an aftereffect of this, Tainu works in a block producing unit in a town. The proprietor of the unit Sayaji, (Sayaji Shinde) is after Tainu. As the strike continues for over six months, Nivrutti gets to be frantic looking for an occupation. Through his dear companion, he finds a Peon's employment. On the other hand, there is no spot to live. At the point when his companion's wife drives him out, Nivrutti is on the streets. His old companion Shailu, who is an artist in a club, discovers him out and about and offers cover in her own particular house. Shailu entices Nivrutti to engage in sexual relations with her. At first hesitant, he turns into her bed accomplice and even gets to be possessive about her. Before long, he understands that he has contracted AIDS. How Nivrutti handles this confusion of issues structures the center plot of the film.

The film endeavors to make mindfulness about AIDS. The best part of the film then again, are the fine exhibitions by Prasad Oak, Aditi Sarangdhar, Sayaji Shinde, Hemlata Bane and Vijay Kadam as the vulnerable school expert. The executive has shrewdly demonstrated the battle of spouse and wife for survival. Be that as it may, a percentage of the successions in the film are not persuading. There isn't much extension for music in this film, with the exception of the title melody picturised on Hemlata Bane and a thing number from Manva Naik in extraordinary appearance. Raja Phadtare has benefited a vocation catching flawless articulations of the artistes in close up scenes.

The film might speak to the gathering of people from rustic ranges. In urban areas, it may not achieve the film darlings, as it has taken the intense choice to discharge during an era when profoundly anticipated film "Natasamraat" is producing all the hobby.