Review : Mahanayak Vasant tu Marathi Movie

Name of the film: Mahanayak Vasant Tu

Date of Release: 27 November 2015

Maker: Baliram Rathod

Executive: Nilesh Raosaheb Jalamkar

DOP: Chandrakant Meher

Music: Mandar Khare

Artistes: Chinmay Mandlekar, Nisha Parulekar, Ravi Patvardhan, Bharat Ganeshpure, Prakash Dhotre, Jairaj Nair, Jayant Patrikar, Satish Phadke, Yayati Rajwade, Parag Bohodkar, Kalyani Bhagwat, Yogesh Malekar .

Known as the Father of the Green Revolution in Maharashtra amid the 60s, the late Vasantrao Naik was the most regarded Chief Minister of Maharashtra. He was the main Chief Minister of Maharashtra who served a term of 12 years ceaselessly, instructing admiration of his gathering specialists and the general population of Maharashtra. No big surprise a biopic titled 'Mahanayak Vasant Tu' created by Baliram Rathod, and coordinated by Nilesh Raosaheb Jalamkar, has been made as a tribute to this extraordinary pioneer of Maharashtra.

The film starts with insights about the living states of this group and how Vasanta's dad ceased his child from getting a decent training. In the film, we see the improvement of this dedicated and genuine pioneer, from Nagpur to Mumbai. With the favors of senior pioneer Yashwantrao Chavan, he is designated a Chief Minister of Maharashtra, by the then Prime Minister of India, Mr. Jawaharlal Nehru.

The film has been introduced well, demonstrating the political excursion of Mr. Naik and his abilities of handling restriction; be it in his own body electorate or in the get together house. On account of make-up craftsman Pradeep Premgirikar, lead performing artist Chinmay Mandlekar takes after the late CM in the post-interim part of the film. We additionally see the characters of Lal Bahadur Shastri, Acharya Atre and even Balasaheb Thackeray and Sharad Pawar; which are however played by not really well known artistes. There is very little extension given to them, with the exception of the character of Yashwantrao Chavan, who is obviously appeared as the chief for Maharashtra.

Among the artistes, Chinmay Mandlekar has buckled down through his non-verbal communication, particularly his strolling style, holding both his hands near the body. Nisha Parulekar, in the part of his wife Vatsalabai, gives a wonderful execution. Bharat Ganeshpure is too great in the part of another essential Maharashtra pastor Balasaheb Desai. Music doesn't discover much extension in this film, yet cinematography is great.

In the pre-interim stage, the film moves like an introduction, highlighting the development of the pioneer from school days and demonstrating the capacity of this pioneer to help poor people and meriting . It is just in the post-interim session, we see some intriguing happenings. Something else, the film looks more like a narrative film, however it is introduced well.