Review : Lord of Shingnapur Movie

Name of the film: Lord of Shingnapur

Date of Release: eighth January 2016

Created By: Rathod Film Productions

Composed and Directed By: Raj Rathod

Artistes : Milind Gunaji, Sudhir Dalvi, Manoj Joshi, Varsha Usgaonkar, Ashish Kulkarni, Vaibhavi Shandilya, Rahul Mahajan

Music: Farhan Shaikh

DOP: Prashant Jadhav

Movies in view of mythology have their own particular gathering of people, gave the film is given well the assistance of holding screenplay. Most recent discharged Marathi film 'Master of Shingnapur' discusses the awful impact of Lord Shani, which irritates a man's life at a specific period when Saturn enters his zodiac sign. The film goes ahead to tell every single such storie of the force of Lord Shani, who has not saved Lord Brahmadev and Lord Mahadev.

Things being what they are, in what manner can two youthful sweethearts Rohit (Ashutosh Kulkarni) and Neha(Vaibhavi Shandilya) escape from his grasp? At the point when Rohit weds delightful Neha, who is a vagrant, she is not invited in the family by his dad (Manoj Joshi). His mom (Varsha Usgaonkar), who favors the young lady, feels hurt; yet is powerless. Whenever Rohit and Neha go out, Lord Shani throws his shadow on the two beaus, bringing on an extreme turn in occasions.

The two hour long film gets with its screenplay just in the post-interim session, when we see some intriguing happenings and unheard stories from mythology. Their cozy scenes have been caught well by cinematographer Farhan Shaikh. Vaibhavi, who has likewise looked great in each one of those scenes, sparkles with the excellent outfits intended for her. She resembles a promising on-screen character in Marathi. Varsha Usgaonkar makes her vicinity felt through couple of scenes to her offer; yet Manoj Joshi is a waste in this film. Indeed, even Rahul Mahajan is only for name purpose in this film. Milind Gunaji and Sudhir Dalvi have assumed their separate parts convincingly; so has the performer playing the head of Ashram in the film. Be that as it may, choice of other junior artistes and their dialog conveyance and non-verbal communication is not fulfilling.

There is a genuine exertion from essayist executive Raj Rathod to portray the significance and stories of Lord Shani, yet he has neglected to make that sought effect through the adoration story of Rohit and Neha. Along these lines, it stays to be perceived how the group of onlookers from huge urban areas react to this film. In any case, the film may discover better backing from gathering of people from residential communities and area places.